The construction implied a silence and a state of sleep

The construction implied a silence and a state of sleep where the origin remained wrapped in the pollen of its native innocence. Without vehemence or precipitations, the constructor would set the stones by following the rhythm of his breath and caress the angles he could glimpse, as if modelling an extremely fragile face. Inside a living body, which could be his or someone else’s, the light in the horizon would illuminate the half-light of the unspeakable thirst and would provide the house with the flexible balance of a construction open to the unfathomable germination of the land.